Porgy and Bess

        There are very few pieces of theater that continue to stir up controversy, even 75 years after it originally premiered. Porgy and Bess is one of those always controversial pieces of American Theater. Technically an opera, Dianne Paulus and Suzan-Lori Parks set out to created a slimmed down, intimate version of George and Ira Gershwin and DuBose and Dorothy Hayward's four hour opus.

    From the outset of this announcement the criticism came. After a lengthy interview with the new creative team, and leading lady Audra McDonald, Stephen Sondheim sent a letter to the New York Times condemning them for their arrogance. None the less, the newly titled The Gershwin's Porgy and Bess arrived on Broadway. Reviews and ticket sales were strong, prompting an extension of the originally limited engagement. It was still limited, just a little expanded. The show went on to win 2012 Tony Awards for Best revival of a musical, and of course Audra McDonald's record Breaking 5th Tony award.

   I had the pleasure of seeing the production two weeks before it was scheduled to close. Unfortunately, Norm Lewis and David Alan Grier were both out at the performance I attended. Their understudies were extremely talented, and more than capable.
 
   The simple set design by Riccardo Hernandez was effective for the most part, though at times it failed to live up to the scope of the music and the moment. Costumes, by former Project Runway contestant Esosa, were lovely, and perfect for each character on catfish row. Christopher Akerlind was able to transport you with his lighting design. Much of the shows "scene changes" were accomplished with simple changes in light rather than actual moving of scenery.

   I must confess I am not familiar with all four hours of music in this epic Gershwin Opera. I am not able to make any comparisons, however, I can say that Ms. Paulus and Ms. Parks adapted a well told story. There did not seem to be any holes or gaps, and each character was well developed. Though it did seem as though the role of Bess was given too little to sing.

    That brings me around to the main attraction. Audra McDonald was a true revelation in the role of Bess. From the moment she stepped onto the stage she was absolutely mesmerizing. Her vocals were impeccable, and you are reminded at once of her Julliard training. In addition to being expertly sung, Audra McDonald brings an emotional depth and disparity to the role of Bess. It was truly a joy to watch.

    Nikki Rene Daniels, Joshua Henry, Philip Boykin, Natasha Yvette Williams, and Bryonha Marie Parham all shine in their supporting roles. Nikki Rene Daniels is heart breaking as Clara, and Natasha Yvette Williams splits your sides as Mariah. Equally heart wrenching is Ms. Parhams haunting rendition of "My Mans Gone Now".

    This production of The Gershwin's Porgy and Bess closed on Broadway on Sunday September 23, 2012 at The Richard Rogers Theater. A national tour is reported to kick off in 2013. There has been no word yet on specific dates or casting, but it's well worth checking out. Spike Lee has also expressed interest in directing a new film version, though no official announcement has been made, nor is it clear if it would be a new adaptation, or a film version using the current Broadway model. Either way, a two disc cast album exists and is well worth a listen!